2018 has been a truly incredible adventure of killer music, stellar shows and bands both old and new fighting the good fight to gift us with their art. For The Soundcheck it has been a privilege to review and interview so many of these artists, and to celebrate the amazing journey of 2018 we're ending the year counting down some of our best moments.
In no particular order we're showcasing 10 of our favourite articles from throughout the year, and for #8 today we're revisiting a huge EP release from Melb heavies Hadal Maw with 'Charlatan'. Review below.
EP: Charlatan // ARTIST: Hadal Maw // RELEASE: July, 2018
Named for voracious hunger and some of the deepest depths known to man, it's no coincidence that Melb heavy quintet Hadal Maw consistently explore sonic annihilation with their unique brand of tech death/metal - a tendency dramatically thrust into the spotlight with their brand new EP 'Charlatan' due out this Friday.
Having already shared the stage with fellow brutalitatians Decapitated, Ne Obliviscaris and Psycroptic to name a few, the towering might the Hadal Maw lads bring to their craft is one informed by extensive experience and creative agility, weaving a dark and ominous web of sludge, black metal and the occasional touch of groove. But where their previous release 'Olm' took a slightly more clean-shaven approach in production, 'Charlatan' offers no such reprieve, instantly ripping you head-first into a rampaging murky abyss across five gripping tracks.
Throwing out the red carpet to anarchy is opening track 'Idolatry', blasting a mouthwatering serve of chugs, rasping vocals and an exceptionally stellar showing from human drum-machine Rob Brens. Down-tuned guitars are on the menu as we swing into 'Vilified', hurling deep grooves and an especially controlled growl from vocalist Sam Dillon before the quintet leap into dissonant mid-way hulker 'White Elephant'.
WHITE ELEPHANT (HADAL MAW)
The final two tracks lurking on 'Charlatan' come bearing their title, with 'Charlatan I The Grand Serpent' and 'Charlatan II Fervent Beasts' bursting at the seams with debilitating technique - charlatan in name, but absolute ragers by game. 'The Grand Serpent' trudges and sludges with spiralling rhythms and erratic shifts that challenge the nature of space and time with blistering syncopation, while 'Fervent Beasts' closes out proceedings with a bold and confident flourish that evenly whallops you with its intensity, ably showcasing the strength of all five musos (and producer extraordinaire Troy McCosker).
Its little wonder that Hadal Maw have earned such a stellar rep in their field, and this brand new release is no exception: 'Charlatan' is an abrasive and unwavering beast that will clamp your ears, devour you whole and spit you out into a darkly euphoric catharsis. But for the faint of heart be warned: here, there be monsters.
FOR MORE HADAL MAW INFO, HEAD HERE.
BY TIANA SPETER